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Pringle, Greg. 2013. Birds of East Asia and Mainland Southeast Asia: Glossary of Species Names in Chinese, Japanese and Vietnamese. http://www.sibagu.com/ Wiersema, John H. 2013. Germplasm Resources Information Network (GRIN). https://npgsweb.ars-grin.gov/gringlobal/taxon/taxonomysimple.aspx
Flowers and birds associated with a specific season of the year or with human emotion in Japan are presented in the following publications and websites: Allen,
Maude Rex. 1917. Japanese Art Motives. A.C. McClurg & Co. Ltd., Chicago. Baird,
Merrily. 2001. Symbols of Japan. Rizzoli International Publications Inc., New
York. Ball,
Katherine M. 1969. Decorative Motives of Oriental Art. Hacker Art Books, New
York. Baten,
Lea. 1989. Japanese Animal Art. Shufunotomo Co. Ltd., Tokyo. Edmunds,
Will H. 1934. Pointers and Clues to the Subjects of Chinese and Japanese Art.
Sampson Low, Marston & Co. Ltd., London. Greve,
Gabi. 2013. World Kigo Database. http://worldkigodatabase.blogspot.com Koehn,
Alfred. 1954. Japanese Flower Symbolism. Lotus Court, Tokyo. Otto,
Alexander F. and Holbrook, Theodore S. 1902. Mythological Japan or the
Symbolisms of Mythology in Relation to Japanese Art. Drexel Biddle,
Philadelphia. University
of Virginia Library. 2013. Japanese Haiku, a Topical Dictionary.
http://etext.virginia.edu/japanese/haiku/saijiki Volker,
T. 1975. The Animal in Far Eastern Art. E.J. Brill, Leiden.
Japanese woodblock prints of flowers and birds are discussed in each of the following publications and websites: Andacht,
Sandra. 2000. Collector’s Value Guide to Japanese Woodblock Prints. Krause Publications,
Iola, Wisconsin. Baekeland,
Frederick. 1980. Imperial Japan: the Art of the Meiji Era (1868-1912).
Eastern Press Inc., New Haven, Connecticut. Bartlett,
Harley Harris and Shohara, Hide. 1961. Japanese Botany During the Period of
Wood-block Printing. Dawson’s Book Shop, Los Angeles. Bogel,
Cynthia J., Goldman, Israel and Marks, Alfred H. 1988. Hiroshige Birds and
Flowers. George Braziller, Inc., New York. Brindle,
John V. and White, James J. 1982. Talking in Flowers, Japanese Botanical Art.
The Hunt Institute for Botanical Documentation, Pittsburgh. Brown,
Kendall H. and Goodall-Cristante, Hollis. 1996. Shin-Hanga, New Prints in
Modern Japan. University of Washington Press, Seattle. Calza,
Gian Carlo. 2009. Hiroshige, the Master of Nature. Skira Editore, Milano. Chibbett,
David. 1977. The History of Japanese Printing and Book Illustration. Kodansha
International Ltd., Tokyo. Dashkevich-Purto,
Victoria. 1982. Japanese Woodcut Book Illustration from the 17th
Century to 1867. Queen’s College, Flushing, New York. Dawes,
Leonard G. 1972. Japanese Illustrated Books. Victoria and Albert Museum,
London. Faulkner,
Rupert. 2001. Hiroshige Fan Prints. Victoria & Albert Museum, London. Foster,
Walter T. Undated. The Art of Rakusan Tsuchiya, Famous Print Maker of Japan.
Foster Art Services Inc., Tustin, California. Gentles,
Margaret O. 1965. The Clarence Buckingham collection of Japanese prints.
Volume II, Harunobu, Koryūsai, Shigemasa, their followers and
contemporaries. The Art Institute of Chicago, Chicago. Grund,
Andreas. 2001. Shiro Kasamatsu the Complete Woodblock Prints. Andreas Grund,
Tokyo. Harkins,
William E. 1986. Shijō Bird, Animal and Flower Prints in the Meiji
Period. Impressions 12:10-12 Hickman,
Money L. and Satō, Yasuhiro. 1989. The Paintings of Jakuchū. Harry
N. Abrams, Inc., New York. Hillier,
Jack. 1966. Japanese Colour Prints. Phaidon Press Limited., London. Hillier,
Jack and Smith, Lawrence. 1980. Japanese Prints, 300 Years of Albums and
Books. British
Museum Publications Ltd., London. Hillier,
Jack. 1987. The Art of the Japanese Book. Sotheby’s Publications Ltd., New
York. Hillier,
Jack. 1991. The Japanese Picture Book: a Selection from the Ravicz
Collection. Harry N. Abrams Inc. Publishers, New York. Hockley,
Allen. 2003. The Prints of Isoda Koryūsai. University of Washington
Press, Seattle. Holme,
C.G. Undated. Glimpses of Old Japan from Japanese Colour Prints, Birds and
Flowers. The
Studio Ltd., London. Illing,
Richard. 1980. The Art of Japanese Prints. Galley Books, New York. Kung-Shang,
Ho. 1979. Keinen Album, Birds & Flowers by Imao Keinen (1845-1924). Art
Book Co. Ltd., Taipei, Taiwan. Meech-Pekarik,
Julia and Kenney, James T. 1981. Utamaro: a chorus of birds. The Viking
Press, New York. Narazaki,
Muneshige. 1970. Studies in Nature, Hokusai-Hiroshige. Kodansha International
Ltd., Tokyo. Neumann,
Dietrich and Schaap, Robert. 2004. Kachō-e by Seiko compared with
Watanabe Seitei’s illustrated books on birds and flowers. Andon 76:40-50. Newland,
Amy and Uhlenbeck, Chris. 1990. Ukiyo-e to Shin Hanga, the Art of Japanese
Woodblock Prints. Mallard Press, Hong Kong. Newland,
Amy Reigle, Perrée, Jan and Schaap, Robert. 2001. Crows, Cranes and
Camellias, the Natural World of Ohara Koson 1877-1945. Hotei Publishing, Leiden. Newland,
Amy Reigle. 2004. Printed to Perfection, Twentieth-century Japanese Prints
from the Robert O. Muller Collection. Hotei Publishing, Amsterdam. Newland,
Amy Reigle. 2005. The Hotei Encyclopedia of Japanese Woodblock Prints. Hotei
Publishing, Amsterdam. Nichols,
Michael J.P. 2005. Rakusan Tsuchiya Japanese Painter, Woodblock Print Artist, and Printer 1896-1976. http://rakusan.net/ Numata,
Kashū. 2011 Japanese Woodblock Bird Prints. Dover Publications, Mineola,
New York. Paine,
Robert T. 1963. Japanese Prints of Birds and Flowers by Masanobu and
Shigenaga. Oriental Art 9(1):22-34. Pins,
Jacob. 1982. The Japanese pillar print Hashira-e. Robert G. Sawyer
Publishing, UK. Poster,
Amy G. 1981. Japanese Paintings and Prints of the Shijō School. The
Brooklyn Museum Press, New York. Rappard-Boon,
Charlotte van, Gulik, Willem van, and Bremen-Ito, Keiko van. 1991. Catalogue
of the Van Gogh Museum’s Collection of Japanese Prints. Waanders Publishers,
Zwolle, The Netherlands. Schaap,
Robert, Herwig-Kempers, Arendie, Fitski, Menno and Gulik, Willem van. 2007. A
Brush with Animals. Hotei Publishing, Leiden. Schaap,
Robert and J. Thomas Rimer. 2010. The beauty of silence. Japanese Nō
& nature prints by Tsukioka Kōgyo 1869-1927. Hotei Publishing,
Leiden. Smith,
Lawrence and Myers, Emma. 1984. Flowers and Birds from Imao Keinen’s Album.
The Trustees of the British Museum, London. Stevens, Amy Reigle. 1993. The New
Wave, Twentieth-Century Japanese Prints from the Robert O. Muller Collection.
Bamboo Publishing Ltd., London. Tinois,
Ellis. 1994. Kawamura Bumpō, the Artist and His Books. Print Quarterly
11:265-91. Turley,
Robert W. 2013. The Art of Ogata Gekkō (1859-1920). http://ogatagekko.net/ Walker,
Ross F. and Doi, Toshikazu. 2008. The Catalogue Raisonné of Tsuchiya Koitsu.
Ohmi Gallery Publishing, Otsu City. Yoshida,
Hiroshi. 1987. The Complete Woodblock Prints of Yoshida Hiroshi. ABE
Publishing, Tokyo.
Gerhart, Karen M. 1999. The Eyes of Power, Art and Early Tokugawa Authority. University of Hawaii Press, Honolulu. Jordan, Brenda G. and Weston, Victoria. 2003. Copying the Master and Stealing His Secrets, Talent and Training in Japanese Painting. University of Hawaii Press, Honolulu. Toda, Kenji. 1931. Descriptive Catalogue of Japanese and Chinese Illustrated Books in the Ryerson Library of the Art Institute of Chicago. Art Institute of Chicago, Chicago.
Bell, David. 2004. Ukiyo-e Explained. Global Oriental, Folkestone, UK. Jenkins, Donald. 1993. The Floating World Revisited. University of Hawaii Press, Honolulu. Mirviss, Joan B. and Carpenter, John T. 1995. The Frank Lloyd Wright Collection of Surimono. Phoenix Art Museum, Phoenix. Newland, Amy Reigle. 2005. The Hotei Enyclopedia of Japanese Woodblock Prints. Hotei Publishing, Amsterdam. Rappard-Boon, Charlotte van. 2000. Surimono, Poetry and Image in Japanese Prints. Hotei Publishing, Leiden.
Link, Howard A. 1980. Exquisite Visions: Rimpa Paintings from Japan. Gakken Publishing Co., Tokyo. Stern, Harold P. 1971. Rimpa, Masterworks of the Japanese Decorative School. Japan Society, Inc., New York. Yamane, Yūzō, Naitō, Masato and Clark, Timothy. 1998. Rimpa Art from the Idemitsu Collection, Tokyo. British Museum Press, London.
6.1.7 Nagasaki and Nanga Schools Addiss, Stephen. 1986. Japanese Quest for a New Vision, the Impact of Visiting Chinese Painters, 1600-1900. Spencer Museum of Art, Lawrence, Kansas. Cahill, James. 1972. Scholar Painters of Japan: the Nanga School. The Asia Society Inc., New York. French, Calvin L. 1974. The Poet-Painters: Buson and His Followers. The University of Michigan Museum of Art, Ann Arbor. Stanley-Baker, Joan. 1992. The Transmission of Chinese Idealist Painting to Japan, Notes on the Early Phase (1661-1799). Michigan Papers in Japanese Studies Number 21, Center for Japanese Studies, The University of Michigan, Ann Arbor. Yonezawa, Yoshio and Yoshizawa, Chu. 1974. Japanese Painting in the Literati Style. Heibonsha, Tokyo.
French, Cal. 1978. Through Closed Doors: Western Influence on Japanese Art 1639-1853. Meadow Brook Art Gallery, Oakland University, Rochester, Michigan. Hillier, Jack. 1974. The Uninhibited Brush, Japanese Art in the Shijō Style. Hugh M. Moss (Publishing) Ltd., London. Hillier, Jack. Shijō Surimono of Large Size from the Mitchell Collection. Minneapolis Institute of Arts Bulletin 64:25-41. Poster, Amy G. 1981. Japanese Paintings and Prints of the Shijō School. The Brooklyn Museum Press, Brooklyn. The Saint Louis Art Museum. 1980. Ōkyo and the Maruyama-Shijō School of Japanese Painting. The Saint Louis Art Museum, St. Louis.
Baekeland, Fredrick. 1980. Imperial Japan: the Art of the Meiji Era (1868-1912). Eastern Press, Inc. New Haven, Connecticut. Brown, Kendall H. and Goodall-Cristante, Hollis. 1996. Shin-Hanga, New prints in Modern Japan. University of Washington Press, Seattle. Conant, Ellen P., Owyoung, Steven D. and Rimer, J. Thomas. 1995. Nihonga, Transcending the Past: Japanese-Style Painting, 1868-1968. The Saint Louis Art Museum, St. Louis. Morioka, Michiyo and Berry, Paul. 1999. Modern Masters of Kyoto: the Transformation of Japanese Painting Traditions, Nihonga from the Griffith and Patricia Way Collection. University of Washington Press, Seattle. Smith, Lawrence. 1991. Nihonga, Traditional Japanese Painting 1900-1940. British Museum Press, London. Stephens, Amy Reigle. 1993. The New Wave, Twentieth-Century Japanese Prints from the Robert O. Muller Collection. Bamboo Publishing Ltd., London.
Ajioka, Chiaki. 2000. Hanga, Japanese Creative Prints. Art Gallery of New South Wales, Sydney. Keyes, Roger. 1988. Break with the Past: the Japanese Creative Print Movement. University of Washington Press, Seattle. Smith, Lawrence. 1983. The Japanese Print Since 1900, Old Dreams and New Visions. British Museum Press, London. Smith, Lawrence. 1994. Modern Japanese Prints 1912-1989, Woodblocks and Stencils. British Museum Press, London. Volk, Alicia. 2005. Made in Japan, the Postwar Creative Print Movement. University of Washington Press, Seattle.
Fujikake,
Shizuya. 1956. Japanese Wood-Block Prints. Japan Travel Bureau, Tokyo. Guth,
Christine. 1996. Art of Edo Japan, the Artist and the City 1615-1868. Harry
N. Abrams, Incorporated, New York. Hickman,
Money L. 2000. Painters of Edo Japan 1615/1868. Indianapolis Museum of Art,
Indianapolis. Hillier,
Jack. 1987. The Art of the Japanese Book. Sotheby’s Publications, London. Merritt,
Helen. 1990. Modern Japanese Woodblock Prints, the Early Years. University of
Hawaii Press, Honolulu. Munsterberg,
Hugo. 1982. The Japanese Print, a Historic Guide. Weatherhill, New York. Parent,
Mary Neighbour. 2001. JAANUS, Japanese Architectural and Art Net Users
System. http://www.aisf.or.jp/~jaanus/
Biographic information about Japanese artists is given in each of the following publications: Ajioka,
Chiaki. 2000. Hanga, Japanese Creative Prints. Art Gallery of New South
Wales, Sydney. Andacht,
Sandra. 2000. Collector’s Value Guide to Japanese Woodblock Prints. Krause
Publications, Iola, Wisconsin. Blakemore,
Frances. 1975. Who’s Who in Modern Japanese Prints. Weatherhill, New York. Conant,
Ellen P., Owyoung, Steven D. and Rimer, Thomas J. 1995. Nihonga: Transcending
the Past: Japanese-style Painting, 1868-1968. The Saint Louis Art Museum, St.
Louis. Gobbi,
Pietro. 1989. Hon: Signatures, Seals, Crests, Philology of the Ukiyo-e
Prints. L’Angolo Manzoni Editrice, Torino. Japanese
National Committee for the International Association of Plastic Arts. 1961.
Who’s Who Among Japanese Artists. Printing Bureau, Japanese Government,
Tokyo. Kawakita,
Michiaki 1957. Modern Japanese Painting, the Force of Tradition. Tōto
Bunka Company Limited, Tokyo. Kawakita,
Michiaki. 1967. Contemporary Japanese Prints. Kodansha International Ltd.,
Tokyo. Menzies,
Jacqueline. 1992. Contemporary Japanese Prints, the Urban Bonsai. Art Gallery
of New South Wales, Sydney. Merritt,
Helen and Yamada, Nanako. 1992. Guide to Modern Japanese Woodblock Prints:
1900-75. University of Hawaii Press, Honolulu. Merritt,
Helen and Yamada, Nanako. 2000. Woodblock Kuchi-e Prints: Reflections of
Meiji Culture. University of Hawaii Press, Honolulu. Mitchell,
Charles H. 1972. The Illustrated Books of the Nanga, Maruyama, Shijō and
Other Related Schools of Japan. Dawson’s Book Shop, Los Angeles. Morrison,
Arthur. 1911. The Painters of Japan. T.C. & E.C. Jack, London. Nakamura,
Tanio. 1969. Contemporary Japanese-Style Painting. Tudor Publishing Company,
New York. Newland,
Amy Reigle. 2005. The Hotei Encyclopedia of Japanese Woodblock Prints. Hotei
Publishing, Amsterdam. Petit,
Gaston. 1973. 44 Modern Japanese Print Artists. Kodansha International Ltd.,
Tokyo. Roberts,
Laurance P. 1976. A Dictionary of Japanese Artists. Weatherhill Inc.,
Trumbull, Connecticut. Self,
James and Hirose Nobuko. 1987. Japanese Art Signatures, a Handbook and
Practical Guide. Charles E. Tuttle Company, Rutland Vermont. Smith,
Lawrence. 1991. Nihonga, Traditional Japanese Painting 1900-1940. British
Museum Press, London. Statler,
Oliver. 1956. Modern Japanese Prints: An Art Reborn. Charles E. Tuttle
Company, Rutland, Vermont. Tazawa,
Yutaka. 1981. Biographical Dictionary of Japanese Art. Kodansha International
Ltd., Tokyo. Yashiro,
Yukio. 1958. Index of Japanese Painters. Charles E. Tuttle Company, Rutland
Vermont.
6.2 English-language Literature Cited For books written in the Japanese language see the appropriate author in Chapter 4: Artists, Editors and Publishers Addiss, Stephen. 2002. Epilogue. Pp. 213-222 In An Enduring Vision, 17-th to 20-th Century Japanese Painting from the Gitter-Yelen Collection. Edited by Rotondo-McCord, Lisa. University of Washington Press, Seattle. Ajioka, Chiaki. 2000. Hanga, Japanese Creative Prints. Art Gallery of New South Wales, Sydney. Armstrong, Edward A. 1975. The Life and Lore of the Bird in Nature, Art, Myth, and Literature. Crown Publishers Inc., New York. Bell, David. 2004. Ukiyo-e Explained. Global Oriental, Folkestone, UK. Binyon, Laurence. 1911. The Flight of the Dragon, an Essay on the Theory and Practice of Art in China and Japan, Based on Original Sources. John Murray, London. Boger, H. Batterson. 1964. The Traditional Arts of Japan. W.H. Allen & Company, London. Briessen, Fritz van. 1962. The Way of the Brush, Painting Techniques of China and Japan. C.E. Tuttle Co., Rutland, Vermont. Brown, Kendall H. 2005. Prints and Modernity: Developments in the Early Twentieth Century. Pp. 279-293 In The Hotei Encyclopedia of Japanese Woodblock Prints. Edited by Newland, Amy Reigle. Hotei Publishing, Amsterdam. Brown, Kendall H. 2006. Impressions of Japan: Print Interactions East and West. Pp. 13-29 In Color Woodcut International: Japan, Britain, and America in the Early Twentieth Century. Edited by Javid, Christine. Chazen Museum of Art, University of Wisconsin, Madison. Gerhart, Karen M. 1999. The Eyes of Power, Art and Early Tokugawa Authority. University of Hawaii Press, Honolulu. Guth, Christine. 1996. Art of Edo Japan, the Artist and the City 1615-1868. Harry N. Abrams, Incorporated, New York. Hickman, Money L. and Satō, Yasuhiro. 1989. The Paintings of Jakuchū. Harry N. Abrams, Inc., New York. Hillier, Jack. 1960. The Japanese Print, a New Approach. G. Bell and Sons, Ltd, London. Hockley, Allen. 2003. The Prints of Isoda Koryūsai, Floating World Culture and Its Consumers in Eighteenth-century Japan. University of Washington Press, Seattle. Impey, Oliver. 1982. Ink or Colour: Conflict and Collaboration in Japanese Painting. Pp. 56-59 In Essays on Japanese Art Presented to Jack Hillier. Edited by Forrer, Matthi. Robert G. Sawers Publishing, London. Jenkins, Donald. 1993. The Floating World Revisited. University of Hawaii Press, Honolulu. Kornicki, Peter. 2001. The Book in Japan, a Cultural History from the Beginnings to the Nineteenth Century. University of Hawaii Press, Honolulu. Lauer, David A. 1979. Design Basics. Holt, Rinehart and Winston, New York. Lepage, Denis. 2013. AVIBASE – the World Bird Database. http://avibase.bsc-eoc.org/avibase.jsp?lang=EN&pg=home Maeda, Tamaki. 1999. Imao Keinen. Pp. 122-123 In Modern Masters of Kyoto: the Transformation of Japanese Painting Traditions, Nihonga from the Griffith and Patricia Way Collection. Edited by Morioka, Michiyo and Berry, Paul. University of Washington Press, Seattle. Meech-Pekarik, Julia and Kenney, James, T. 1981. Utamaro: a Chorus of Birds. The Viking Press, New York. Mirviss, Joan B. and Carpenter, John T. 1995. The Frank Lloyd Wright Collection of Surimono. Phoenix Art Museum, Phoenix. Narazaki, Muneshige. 1970. Studies in Nature, Hokusai-Hiroshige. Kodansha International, Tokyo. Newland, Amy Reigle, Perrée, Jan and Schaap, Robert. 2001. Crows, Cranes and Camellias, the Natural World of Ohara Koson 1877-1945. Hotei Publishing, Leiden. Otto, Alexander F. and Holbrook, Theodore S. 1902. Mythological Japan or the Symbolism of Mythology in Relation to Japanese Art. Drexel Biddle, Philadelphia. Parent, Mary Neighbour. 2001. JAANUS, Japanese Architectural and Art Net Users System. http://www.aisf.or.jp/~jaanus/ Rowland, Benjamin Jr. 1954. Art in East and West, an Introduction through Comparison. Harvard University, Cambridge. Saito, Yuniko. 1985. The Japanese Appreciation of Nature. British Journal of Aesthetics 25(3):239-251. Stanley-Baker, Joan. 1992. The Transmission of Chinese Idealist Painting to Japan, Notes on the Early Phase (1661-1799). Michigan Papers in Japanese Studies Number 21, Center for Japanese Studies, The University of Michigan, Ann Arbor. Stanley-Baker, Joan. 2000. Japanese Art. Thames & Hudson, London. Statler, Oliver. 1956. Modern Japanese Prints, an Art Reborn. Charles E. Tuttle Company, Rutland Vermont. Stern, Harold P. 1976. Birds, Beasts, Blossoms and Bugs, the Nature of Japan. Harry N. Abrams, Inc., Publishers, New York. Sullivan, Michael. 1973. The Meeting of Eastern and Western Art from the Sixteenth Century to the Present Day. Thames and Hudson Ltd., London. Volk, Alicia. 2005. Made in Japan, the Postwar Creative Print Movement. University of Washington Press, Seattle. Wiersema, John H. 2013. Germplasm Resources Information Network (GRIN). https://npgsweb.ars-grin.gov/gringlobal/taxon/taxonomysimple.aspx Yonezawa, Yoshio and Yoshizawa, Chu. 1974. Japanese Painting in the Literati Style. Heibonsha, Tokyo.
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